Large Mystery Bag – Huda Beauty

A bag (also known regionally as a sack) is a common tool in the form of a non-rigid container, typically made of cloth, leather, paper or plastic. The use of bags predates recorded history, with the earliest bags being lengths of animal skin, cotton, or woven plant fibers, folded up at the edges and secured in that shape with strings of the same material. Bags can be used to carry items such as personal belongings, groceries, and other objects. They comes in various shapes and sizes, often equipped with handles or straps for easier carrying.

Bags have been fundamental for the development of human civilization, as they allow people to easily collect and carry loose materials, such as berries or food grains, also allowing them to carry more items in their hands.

The word probably has its origins in the Norse word baggi, from the reconstructed Proto-Indo-European bʰak, but is also comparable to the Welsh baich (load, bundle), and the Greek Τσιαντουλίτσα (Chandulícha, load).

Cheap disposable paper bags and plastic shopping bags are very common, varying in size and strength in the retail trade as a convenience for shoppers, and are often supplied by the shop for free or for a small fee. Customers may also take their own shopping bag(s) to use in shops.

Although paper had been used for wrapping and padding in Ancient China since the 2nd century BC, the first use of paper bags in China (for preserving the flavor of tea) came during the later Tang dynasty (618–907 AD).

Beauty is commonly described as a feature of objects that makes them pleasurable to perceive. Such objects include landscapes, sunsets, humans and works of art. Beauty, art and taste are the main subjects of aesthetics, one of the major branches of philosophy. As a positive aesthetic value, it is contrasted with ugliness as its negative counterpart.

One difficulty in understanding beauty is that it has both objective and subjective aspects: it is seen as a property of things but also as depending on the emotional response of observers. Because of its subjective side, beauty is said to be "in the eye of the beholder". It has been argued that the ability on the side of the subject needed to perceive and judge beauty, sometimes referred to as the "sense of taste", can be trained and that the verdicts of experts coincide in the long run. This suggests the standards of validity of judgments of beauty are intersubjective, i.e. dependent on a group of judges, rather than fully subjective or objective.

Conceptions of beauty aim to capture what is essential to all beautiful things. Classical conceptions define beauty in terms of the relation between the beautiful object as a whole and its parts: the parts should stand in the right proportion to each other and thus compose an integrated harmonious whole. Hedonist conceptions see a necessary connection between pleasure and beauty, e.g. that for an object to be beautiful is for it to cause disinterested pleasure. Other conceptions include defining beautiful objects in terms of their value, of a loving attitude toward them or of their function.