Matera Bed – Design Within Reach

A bed is an item of furniture that is used as a place to sleep, rest, and relax.

Most modern beds consist of a soft, cushioned mattress on a bed frame. The mattress rests either on a solid base, often wood slats, or a sprung base. Many beds include a box spring inner-sprung base, which is a large mattress-sized box containing wood and springs that provide additional support and suspension for the mattress. Beds are available in many sizes, ranging from infant-sized bassinets and cribs, to small beds for a single person or adult, to large queen and king-size beds designed for two people. While most beds are single mattresses on a fixed frame, there are other varieties, such as the murphy bed, which folds into a wall, the sofa bed, which folds out of a sofa, the trundle bed, which is stored under a low, twin-sized bed and can be rolled out to create a larger sleeping area, and the bunk bed, which provides two mattresses on two tiers as well as a ladder to access the upper tier. Temporary beds include the inflatable air mattress and the folding camp cot. Some beds contain neither a padded mattress nor a bed frame, such as the hammock. Other beds are made specifically for animals.

Beds may have a headboard for resting against, and may have side rails and footboards. "Headboard only" beds may incorporate a "dust ruffle", "bed skirt", or "valance sheet" to hide the bed frame. To support the head, a pillow made of a soft, padded material is usually placed on the top of the mattress. Some form of covering blanket is often used to insulate the sleeper, often bed sheets, a quilt, or a duvet, collectively referred to as bedding. Bedding is the removable non-furniture portion of a bed, which enables these components to be washed or aired out.

A design is the concept of or proposal for an object, process, or system. The word design refers to something that is or has been intentionally created by a thinking agent, and is sometimes used to refer to the inherent nature of something – its design. The verb to design expresses the process of developing a design. In some cases, the direct construction of an object without an explicit prior plan may also be considered to be a design (such as in arts and crafts). A design is expected to have a purpose within a certain context, usually having to satisfy certain goals and constraints and to take into account aesthetic, functional, economic, environmental, or socio-political considerations. Traditional examples of designs include architectural and engineering drawings, circuit diagrams, sewing patterns, and less tangible artefacts such as business process models.

Matera (Italian pronunciation: [maˈtɛːra], locally [maˈteːra] ; Materano: Matàrë [maˈtæːrə]) is a city and the capital of the Province of Matera in the region of Basilicata, in Southern Italy. With a history of continuous occupation dating back to the Palaeolithic (10th millennium BC), it is renowned for its rock-cut urban core, whose twin cliffside zones are known collectively as the Sassi.

Matera lies on the right bank of the Gravina river, whose canyon forms a geological boundary between the hill country of Basilicata (historic Lucania) to the south-west and the Murgia plateau of Apulia to the north-east. The city began as a complex of cave habitations excavated in the softer limestone on the gorge's western, Lucanian face. It took advantage of two streams which flow into the ravine from a spot near the Castello Tramontano, reducing the cliff's angle of drop and leaving a defensible narrow promontory in between. The central high ground, or acropolis, supporting the city's cathedral and administrative buildings, came to be known as Civita, and the settlement districts scaling down and burrowing into the sheer rock faces as the Sassi. Of the two streambeds, called the grabiglioni, the northern hosts Sasso Barisano (facing Bari) and the southern Sasso Caveoso (facing Montescaglioso).

The Sassi consist of around twelve levels spanning the height of 380 m, connected by a network of paths, stairways, and courtyards (vicinati). The medieval city clinging on to the edge of the canyon for its defence is invisible from the western approach. The tripartite urban structure of Civita and the two Sassi, relatively isolated from each other, survived until the 16th century, when the centre of public life moved outside the walls to the Piazza Sedile in the open plain (the Piano) to the west, followed by the shift of the elite residences to the Piano from the 17th century onwards. By the end of the 18th century, a physical class boundary separated the overcrowded Sassi of the peasants from the new spatial order of their social superiors in the Piano, and geographical elevation came to coincide with status more overtly than before, to the point where the two communities no longer interacted socially.

Yet it was only at the turn of the 20th century that the Sassi were declared unfit for modern habitation, and the government relocation of all their inhabitants to new housing in the Piano followed between 1952 and the 1970s. A new law in 1986 opened the path to restoration and reoccupation of the Sassi, this time – as noted by the architectural historian Anne Toxey – for the benefit of the wealthy middle class. The recognition of the Sassi, labelled la città sotterranea ("the underground city"), together with the rupestrian churches across the Gravina as a UNESCO World Heritage Site in December 1993 has assisted in attracting tourism and accelerated the reclaiming of the site. In 2019, Matera was declared a European Capital of Culture.